I spent six weeks of the lockdown documenting my community through the medium of window portraits.
Today I’m launching a crowdfunding campaign in the hope of turning this work into a book, Levy Lockdown Portraits.
Over the course of 38 days – ending when lockdown restrictions began to be lifted on 31 May – I shot more than 250 portraits of households in Levenshulme, Manchester, creating a surreal, poignant and historically significant body of work.
I think this work deserves a more permanent home than an online gallery and would like to put together a self-published containing the entire series across more than 200 pages. I’ll be designing and editing it myself to keep costs as low as possible but need help to fund the printing.
I’m asking people who enjoyed the work or were part of the series to consider supporting the project by purchasing a copy in advance. You can even get your name printed in the book as a backer. Please visit my Kickstarter page to learn more and don’t forget to share in your networks. I think Levy Lockdown Portraits will be a fab souvenir of this odd time once this pandemic is behind us.
Kickstarter is an ‘all or nothing’ platform so if I don’t raise the print costs, the book won’t be made and your pledge will be returned.
Thanks for your support!
What a bizarre few weeks. We’re now 30 days into official lockdown in the UK, and it feels to me like some of the paralysis of the initial days of Covid-19 has started to loosen. I’m still working as a journalist – working at snail’s pace on a number of features for Big Issue North which for the large part have nothing to do with the pandemic – and am starting to get the sense that many people are getting into a groove with this strange new normal. People I contact are responding fairly promptly for the first time in weeks. My own work pace is glacial but things are slowly getting done.
One of the ways I’ve been responding to this weirdness is to pick up my camera. Ironically I’ve found the past month an easier time than normal to be creative – despite having a three year old and a five year old in tow most of the time. I’ve been photographing the lockdown on a daily basis from their perspective. Something that has always felt uncomfortably self-indulgent to me – sharing photos of my kids and our own daily life – suddenly feels more legitimate, perhaps due to some odd journalistic psychology thing because it’s now framed within ‘a story’. Make of that what you will. These daily vignettes – which I’ve dubbed “Big Brother House” can be seen on my Instagram page.
The other way I’m documenting the lockdown is through window portraits of people living in my neighbourhood of Levenshulme. Lots of photographers are doing similar work at the moment but I love the way the glass provides a beautifully surreal visual metaphor for our current social distancing requirements. The participants have to come close to the window to make use of the light. I’m often closer to them than the permitted two metres but they’re behind glass so it’s fine. I’m making most of these during my daily outing with my kids so I have to be quick – more than three minutes and they’re bored. Some of them are on my Instagram and the full album can be seen on Facebook for the time being. This will be updated as I add more…