
After a properly quiet January in which I’ve barely touched my camera, it feels like things are starting to shift again.
I’m delighted to have learned today that I have been awarded a Homelands commission by Newcastle’s highly respected Side Gallery, to help me expand my Roma photography project into the North East over the coming months. I’m starting to make links with people who work with Roma migrants elsewhere too, and I still intend to continue my collaboration with Ramona as and when the opportunity arises.
Also I’m flattered and really quite nervous to be talking about my photography to South Manchester Camera Club on Monday Feb 13th (8pm, Didsbury Methodist Church, ÂŁ2 non-members). Please be kind!
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I’m selecting images for a talk I’m doing at a camera club in a few weeks time. This one always makes me smile.

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Roma Christmas, Manchester.
“I think it’s simply beautiful and just goes to show what can happen when people start to write their own story, both for real and on the page.” Jake Bowers, English Romani journalist and broadcaster
So, the MA is done, Christmas is over and we’re well into the new year. 2012…where did that come from? The past month or so has been the kind of hectic where you have little to show for it, plus some much needed rest, recuperation and family time. I’ve had lots of lovely feedback about Elvira and Me, my collaboration with Ramona, which has been viewed more than 1,100 times in less than two months. Many people seem to have read it cover to cover, which is amazing. I’ve been thinking hard about where to go with this work – the problem with creating a book is that mentally it feels like a project is finished, even as someone’s life and struggles go on and the desire to document them continues. Ramona has become a close friend though so I think our collaboration will continue – albeit at a more sedate pace – as long as she wants it to. Perhaps the project will be expanded to look at other Roma migrants, possibly using a different approach to the photography, or perhaps not. Time will tell and much will depend on funding. So now comes the time to start taking photos again and building up my freelance business, after two quite intense but highly worthwhile years of study. Am I more photographer or more writer? I’m still not really sure, but maybe that question doesn’t matter as much as I used to think.
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Forgot to post this when it was published. The corpse of Pathfinder continues to twitch in many areas of northern England. And my Streetfighters project also limps on.

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Elvira and Me is now available as an eBook for iPads and iPhones, via Blurb.
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Related Posts: The anatomy of a stitch-up , centre forward, “what if I hadn’t been made homeless?”, ‘I was drinking surgical spirit, just to stop the shakes in the morning”, Staying centred – audio slideshow , street fighters – Leeds & Clayton, It’s Elijah’s 90th birthday today, death valley , I’m probably going to be showing , bowling for mancunia
Just as something completely different, I spent yesterday on a ‘make your own 10×8 pinhole camera’ workshop at Liverpool’s new Open Eye gallery, organised by Redeye. For me the whole pinhole thing – like much of lo-fi camera fashion – can sometimes veer into the territory of naffness, but I loved Tom Hunter’s use of the technique in his Prayer Places and Bathing Places series, and I’ve always quite fancied having a go. Whether I have the patience to really experiment with the technique – yesterday’s exposures were in the order of 10-15 minutes in the freezing cold – or the money to play about with 5×4 or 10×8 negs which cost a few quid each even before processing, only time will tell. An interesting day though.
 
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