Open Eye microcomission – litter. Update #1.

Recently I was lucky enough to be awarded a micro commission by Open Eye Gallery, which allows me to use a socially engaged approach to look at the issue of litter. I’m treating the commission like a bursary – so using this opportunity to test out some ideas and see what works.

My proposal was to engage with the growing army of volunteer litter pickers which I’ve noticed have sprung up during the pandemic. My belief is that as people have spent more time in their local environments, they have been spurred on to do their bit to make it better. Perhaps littering itself has also increased over the past year – it’s hard to know as my own neighbourhood has always been filthy.

My project is going to work on several levels. I have been posting an open call into various litter picking groups across Greater Manchester over recent weeks, inviting people to send me photos, anecdotes and opinions. So far, 23 people have sent me either photos or words or both. I have around 350 photographs, and it’s fair to say people have been finding some strange and at times surprising items on their travels. Here are a few of them:

The second element of this commission is going to involve me making some portraits and collages… I am still thinking about how to actually do the collage part and am going to have to spend the next few weeks experimenting I think. I’ve been playing around with making cyanotypes of some of the litter I’ve been picking up – for no reason other than that I’d never made cyanotypes before.  The cyanotypes themselves have been a bit rubbish (poor workmanship!) – but I have to say I quite like the look of the digital negatives I’ve been making in order to produce them, I find them quite striking.

The items I’m personally most drawn to photographing at the moment seem to be PPE (everywhere) and those stupid little nitrous oxide canisters which are also everywhere. How to integrate those into collage, I’m not yet sure. Watch this space.  I’m going to try to blog this process as a way of keeping track of this project as it progresses.

I’m highly aware this is a subject other photographers have covered. The best is Chloe Juno, who has been at it for about seven years now and has now amassed thousands of images. I also came across this Gregg Segal series today, where he photographed families with a week’s worth of their refuse.